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Chris Sayres

Creative Direction + Design + Motion

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Disney+ Rebrand

Studio: Loyalkaspar

CCO: Beat Baudenbacher

Design Director: Chris Sayres

Producer: Shannon Hall

Design: Steve Haslip, Chris Sayres, Chetan Kunwar

Animation: Chris Sayres, Paolo Garcia, Arturo Perales

Mogrts: Jim Reed

MailChimp

“Guess Less. Sell More.”

The “Guess Less” campaign builds on the brilliant and elaborate “Did you mean MailChimp” campaign. Owl Cat Bat, Cut A Rug, and Banana Fish Cake directs the original mispronunciation towards the uncertainty of their users marketing effort — offering millions of datapoints for increasing engagement and revenue — “removing the guesswork.”

Design / Animation / Compositing

Agency - Wink Creative / MailChimp, Production - Smuggler, Director - Björn Rühmann

Apple

Rebuilt from the Sound Up

Rebuilt from the Sound Up was a campaign to showcase the new 2nd Generation Apple AirPods Pro. The concept uses particle layout and movement to represent the Spatial Audio and Active Noise Cancellation. The particle design and animation was built in Cinema 4D, X-Particles and rendered in Redshift. Versions of the spots have been used on Apple’s annual event WWDC23, and are currently available on Apple.com.

https://www.apple.com/airpods-pro/

Design + Animation Lead (Titles + Particles)

Agency - The Mill, Creative Director - James Allen

Coca-Cola

Coke Freestyle

Another all-star line up from the beautiful minds at 1st Ave Machine were focused on a primarily social campaign that was designed for Coke to showcase their new machines. These puppies are able to deliver thousands of carbonated fructose variations.

Design + Animation Lead

UPMC

Uncommon

UPMC - Uncommon was the culmination of many super-talented studios and creatives, led by Director Ben Trickleback. ETC brought me on to design many of the medical HUD and 3D elements seen throughout the spot. We had several designers, animators and compositors working practically, and in Cinema 4D, X-Particles, Houdini, and After Effects to develop the medical imagining and CG content.

VFX Design Lead + Animation

Studio - Electric Theatre Collective, Director - Ben Trickleback, DP - Emmanuel Chivo Lubezki, Editor - Jamie Foord, Producer - Jennifer Truss

Intel

A Brief History of Silica

Intel reached out to Chapeau to imagine the full trajectory of silica. From space dust, through the formation of earth, and ultimately their foundation in CPUs. Intel wanted a relatable yet technical take on importance of silica. With full freedom and references like A Brief History of Time, and The Power of 10, I built an initial concept, style frames, and edit guidelines that referenced The Power of 10, Moore’s Law, and the exponential impact on computing and society.

Creative Direction + Design

Meta

Storytelling - Cardi B

Modern Logic was working with 1st Ave Machine and Meta on this Storytelling campaign. A series of spots were created, and piloted with “Cardi Tries” to showcase the ability of Meta Ads on brand development. I was brought in as the AD / Designer tasked with creating a visual language for streaming live videos. All elements were built in Cinema 4D and Redshift, and comped in After Effects.

Art Direction + Design

Spotify

Spotify Studios

Spotify brought me on to create content for their new Spotify Studios. This was a launch sizzle showcasing the deep talent pool that had already recorded there. I used all Adobe products to design and animate assets, and edit live action and audio.

Creative Direction + Design + A/V Editing

Steelcase

Steelcase - Our Story

For their 100th anniversary, Steelcase reached out to Genesis and Friends Of Mine for a multi-national collaboration. The goal, to create a sweeping overview of Steelcase, from their original mission through the development of their core competency, and on to their next 100 years. 

Creative Direction + Design + Animation

Paramount

The Lion and The Lamb.

5  “And one of the elders said to me, “Weep no more; behold, the Lion of the tribe of Judah, the Root of David, has conquered, so that he can open the scroll and its seven seals.”

6  “And between the throne and the four living creatures and among the elders I saw a Lamb standing, as though it had been slain, with seven horns and with seven eyes, which are the seven spirits of God sent out into all the earth. ”  - Revelations 5:5-6

“The lion and the lamb shall lie down together; there will be no more war among the nations, after the battle of Armageddon; and no more persecution, after the slaughter of the witnesses...”  -John Gill, on Isaiah 9:7, 18th century.

Drawing from the Book of Revelations and 18th century interpretations of Isaiah, we’ve developed a conceptual approach that draws parallels between David Koresh’s preaching, the polarity of our characters, and the context in which they’ve been represented...for better or worse.

 Creative Direction + Design Lead

Samsung

Samsung Galaxy

This was a large scale 360º & performance marketing campaign to showcase and test Samsung’s new suite of foldable and mobile devices. Thousands of assets were concepted, created and tested for digital and OOH applications in the Texas market. I was brought on to Co-Creative Direct, and build a studio team for this multi-year effort. Aimee Brodbeck (CD), Adam Singer (TD / Animation), Dave Drage (Design / Animation), and Tristan Maduro (TD / Animation) - (to name a few) were essential in establishing one-and-done approvals from one of the most exacting and qualitative clients out there. We used a combination of Cinema 4D, X-Particles, Redshift, and After Effects.

Creative Direction + Design + Animation

Samsung

Samsung Galaxy

This was a large scale 360º & performance marketing campaign to showcase and test Samsung’s new suite of foldable and mobile devices. Thousands of assets were concepted, created and tested for digital and OOH applications in the Texas market. I was brought on to Co-Creative Direct, and build a studio team for this multi-year effort. Aimee Brodbeck (CD), Adam Singer (TD / Animation), Dave Drage (Design / Animation), and Tristan Maduro (TD / Animation) - (to name a few) were essential in establishing one-and-done approvals from one of the most exacting and qualitative clients out there. We used a combination of Cinema 4D, X-Particles, Redshift, and After Effects.

Creative Direction + Design + Animation

Wooways

Give Stories. Not Stuff.

Wooways is a marketplace for gifting and funding travel and experiences. This was a prototype that I built to showcase the features and capabilities of the Wooways product. We used this to secure investors, partnerships, and recruit developers and advisors. All assets were built in Cinema 4D, After Effects, and Adobe XD.

Creative Direction + UI / UX + Product Design & Development

What The Fat!

What The Fat! is a documentary that navigates common misconceptions and understandings about weight, health, and genetics. The film moves through historical misconceptions to the latest medical assessments. It references the Foresight Obesity Map (depicted in the intro) and the enormity of contributing factors that determines weight.

Art Director / Design / Motion

Studio - Onslot Films, Director - Ben Patterson, Producer - Ryan Decker, Editor - Gabriella Tessitore, Animators - Dave Drage, Van Velvet

Spectrum

Charter Spectrum Triple Play 60

This was a fairly elaborate project directed by Garrett Johnson for 1st Ave Machine, and designed by Garrett and Mancel Lindsey. Complete with lidar scans and alembic workarounds, they brought out all the stops in order to re-imagine Charter's new bandwidth capabilities. Mostly done in Cinema 4D and composited in Nuke, this project delved deep into Thinking Particles and Xpresso to perfect the form and function of the refracted light sweep, as it navigates through the spot.

3D Design + Animation + Particle Simulations

Corvette

Chevrolet Corvette Stingray

Chevrolet came to the Mill for the re-release of the Corvette Stingray. The timing was perfect for drawing the comparison between the Stingray and the much anticipated release of The Dark Knight. Directed by Nicolai Fugslig from MJZ, this was shot in LA and post-produced in New York. I worked on scene development and compositing for live action / vfx pickups.

Design + Animation + Composition

Montage

2021 Montage

CD / DD / AD / Design / Animation / Compositing / A/V Editing

Gary Huswit, UPMC, Apple, Corvette, Spotify Studios, Hewlett Packard, Honda, Cam Moye, Verizon, Coke, Steelcase, Samsung, Hershey, HGTV, Jesus Freaks, KY Intense, Claritin, Cartoon Network, Coppertone, Lemtrada, TD Ameritrade

K•Y Touch

KY Touch

This risque little number from Havas teases around the variety of uses a warming lubricant may have on a sleepy summer morning. And while the lock-up's nod to Kubrick's Space Odyssey suggests considerably more than necessary, it does lend itself to both form and function.

Creative Direction + Product Design + 3D Modeling + Animation

FX

FX - Justified

These are initial designs for the intro and later, peripheral assets for FX’s series “Justified”, starring Timothy Olyphant and written by Elmore Leonard. Working directly with FX in-house design team, this style was gradually refined into a more filmic approach, included separately on the site. The intro, promo and show toolkit was produced to allow the FX team to pick and choose which element was most successful for the promo campaign. The toolkit was comprised of opens, closes, end-pages, transitions and a slew of editing tool kits.

Creative Direction + Design

Hersheys

Hersheys Powerful

Through Havas and Studio 6, this project was a quick recreate and composite of the diverse range of promotions from Hersheys. Each animation was designed and animated to compliment their ongoing campaigns.

Design Direction + Animation

Havas NYC

Havas NYC

These boards were designed for the newly renovated Havas Lobby in NY. The lobby had 5 UHD flatscreens, laid out horizontally, fitting seamlessly. The idea behind these graphics were to represent the 300+ international locations of Havas. They're a series of crudely represented skylines of the cities that Havas resides. The colored cursor slides across the unwrapped earth, from side to side, magnetically manipulating the integrity of the world's skyline. It searches from city to city, first in elevation view, then in a bird's eye view.

Creative Direction + Design

Qualcomm

Qualcomm's Uplinq Conference

This was a 5k projection, built by 1st Ave Machine for a 30' curved wall that was set behind the main stage of the Qualcomm Uplinq conference. The focus of the conference and the graphics were connectivity, communication, and their inherent effects as they relate within Qualcomm's diverse and innovative landscape. Directed by Garrett Johnson and designed by Mancel Lindsey.

2D / 3D Design + Animation + Compositing

K•Y Intense

KY Intense

In the next rendition, this risque little number focuses on maximizing the crescendo that KY's newest packaging may have on a sultry summer night. Originally using liquid and light to convey the impact and effectiveness of their new product, KY decided on rerouting to a more tasteful and cost effective concept. This became a welcomed opportunity to explore the limits of X-particles, TP, and bokehs.

Creative Direction + Design / Animation Lead

TD Ameritrade

You Got This!

This was the flagship spot for TD Ameritrade’s new campaign targeted at the next generation of investors. It was one of the first use cases with stylized vector or flat-shaded graphics, and heavily strained technologies and techniques that are more commonplace today. We used a combination of Illustrator, After Effects, and Duik to create realistic animations in this style.

Animation Direction + Character Animation + Design

Disney+ Rebrand

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MailChimp

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Apple

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Coca-Cola

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UPMC

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UPMC

Intel

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Meta

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Spotify

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Spotify Singles

Steelcase

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SteelCase - Our Story

Paramount

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Samsung

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Samsung

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Wooways

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What The Fat!

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Spectrum

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Charter Spectrum

Corvette

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Chevy Corvette Stingray

Montage

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K•Y Touch

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FX

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Hersheys

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Havas NYC

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Qualcomm

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Qualcomm 2013 Uplinq - Show Open

K•Y Intense

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TD Ameritrade

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TD Ameritrade